It is the season to slob out on the sofa and consume a tin of mince pies in front of a great film, a awful feature, or one that’s terrible yet terrific.
Once again, a crop of fresh holiday movies aims to become part of our holiday traditions—perhaps even joining the ranks alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a vital public service to separate the winners from the losers, and to embrace the festive feeling, I watched as many fresh holiday releases as possible in a single day.
Starting, optimistically, on a good foot. This film is the only 2025 title on a famous website's list of the greatest 100 holiday films of all time.
The popular band end up trapped in the UK after finishing their world tour and must return for Christmas. Their endeavors are thwarted by an malevolent Father Christmas, who breaks into song to declare they won’t get home until they “rediscover their brotherly magic.”
The banter between the arguing trio is entertaining even for the casual viewer, while followers will no doubt notice lots of easter eggs as they attempt to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is great for fans and a good start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who are obliged to sit through it.
Hollywood star Kiefer Sutherland appears as a celebrity cast a traditional British stage show.
“A panto-what?” asks Sutherland’s “difficult” and ageing action hero Brad Mack, who has hit a rough patch and whose representative has deceived him into thinking he’s performing in renowned British drama.
His Aladdin co-stars tell him he’s playing Buttons. “Oh no I’m not,” he insists angrily. You can guess their retort. That is, unless you’re not acquainted with traditional British theatre traditions.
There are some very funny lines, some touching sub-plots, and the ensemble is cracking, too.
It’s the sort of feature that would be a bit naff at another season, but is a lot of fun at Christmas.
Festive score: 🎄🎄🎄🎄
An actor appears at the outset of this film, too, calling someone a mug for the next movie straight. Could this be a new Christmas tradition?
This time, he’s a singing black cab driver who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story unfolds as the miserly Mr Sood is haunted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but regrettably he’s not very charismatic and Nayyar’s portrayal is wooden—a significant issue when he’s so the main character.
Festive score: 🎄🎄
There's just enough time for a channel's holiday special—which stars Guz Khan as a charmingly cantankerous character who “avoids Christmas.”
But after he gets an large festive windfall at work, his wife (portrayed by Morgana Robinson) talks him into blowing the money on a family trip to Lapland.
There’s just one problem—he finds out there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to return the remainder.
Enjoyable but forgettable.
Festive score: 🎄🎄
This is one of those Christmas films where the festive trappings are in the setting—Christmas is the setting of the film rather than its raison d’etre—but it feels warm and holiday-like all the same.
Ambitious executive Sydney (played by Minka Kelly) is sent to a French chateau to do a deal for a sparkling wine company. During her travels, she runs into a fellow in a literary haven who vows to show her Christmas in Paris.
A commentator recently claimed this is the finest new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a festive dalliance with a hint of sophistication and gives the required warm and fuzzy feels.
The scene with a extended debate about Die Hard is notable too.
Christmas tree rating: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the persuasion of his dad (played by James Buckley) to tell him otherwise.
The truth is to be discovered, and Chris ventures forth to find it with the expert help of a group of well-known experts and celebrities.
It’s gentle but sweet, and perfect viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the mother of a bickering American family who gather for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in execution it’s really a mash-up of those inspirations, at least until Pfeiffer’s character finally finds her strength.
Festive score: 🎄🎄
The day’s waned in quality, but fortunately here’s a new addition in the crowded field of predictable, sentimental, cheesy—and strangely compelling—festive fodder.
It’s a story as familiar as can be: An American woman goes on a quest to a distant snowy land and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
Elena is a passionate event enthusiast and content writer who loves sharing insider tips about concerts and live performances.